The audience settles to watch Michael Kunze and Sylvester Levay's version of Rebecca, Daphne du Maurier's beloved novel at the Charing Cross Theatre. It is exciting to see how the new production would bring the narrative to life after its multiple film versions.
The set design is striking from the minute the curtain rises. With a wide vista of the coastline and a magnificent staircase, the gothic atmosphere of the cast is expertly evoked.
The German-language theater sector has seen great success with the musical adaption. Under Alejandro Bonatto's direction, the show is presently experiencing a prosperous rebirth. Christopher Hampton, a two-time Tony Award and Oscar winner, translated the musical into English.
The thrilling musical, which has an 18-piece orchestra, closely adheres to the original novel's plot. Austrian critics have praised the musical, and its popularity has prompted a London production at Charing Cross Theatre. Alfred Hitchcock famously adapted this novel into a movie, bringing du Maurier's captivating story to life on the silver screen for anyone who loves a gripping and atmospheric narrative.
Haunting musical numbers and the piercing sound of 'Rebecca' being sung across the theatre are not the only elements that transport the audience to the mysterious Manderley, but the way many cast members embody their characters with subtle but stern presence.
Particularly remarkable is Richard Carson's portrayal of Maxim de Winter; his transition from endearing to spooky is nuanced and terrifying. The audience is wondering if he is capable of murder and doubting his genuine character. He gives a convincing and engrossing portrayal of the mysterious and brooding hero.
Lauren Jones, who is playing as the second wife of Mr. Maxim de Winter, has one of the night's most memorable performances. She gave a beautiful, flowing voice in her role as Mrs. de Winter, and her performance is convincing and compassionate.
The musical's popularity can be attributed, at least in part, to its faithfulness to the original text as well as to its skill at building tension and mystery. Its success in Austria over its first few seasons is evidence of its caliber and appeal. This performance seems to be an interesting addition to the Charing Cross Theatre's lineup thanks to its excellent cast and seasoned director.
Equally impressive, Kara Lanes delivers a chilling performance as Mrs Danvers, the devoted servant to Maxim's first wife. Her unwavering loyalty is evident in every word and action, as she subtly attempts to undermine the second wife's position. Lanes' portrayal is both crafty and menacing, leaving the audience on edge. Her all-black attire adds to the enigmatic aura she exudes, conveying a sense of mystery and sternness that is both captivating and unnerving. The costumes in this production are particularly noteworthy, adding to the overall atmosphere and enhancing the performances of the actors.
The relationship between Lanes’ character with Jones’ is nothing short of remarkable, as the former makes Danvers a formidable force that is both creepily obsessed with her former mistress with tension and grip that is captivating to watch.
Nevertheless, what truly sets Rebecca apart is its ability to move and inspire. From its sweeping melodies to its poignant lyrics, it leaves its mark even after the final notes have faded away. It is a musical that speaks to a deep emotional level, leaving the audience feeling moved and inspired long after they have left the theater. It has an extremely high production value, with every little detail skillfully designed to take you to another era.
Rebecca is a true feast for the senses that will leave viewers touched by simply a good story well-told.
